# Overworld v3b — Morning Hymn (felt-piano house voice, take B)

`overworld-v3b` — levels: `calm.mp3` · `activity1.mp3` · `activity2.mp3` · `danger1.mp3` · `danger2.mp3`

Take B re-reads the house overworld voice as a felt-piano 'morning hymn' — the stylistic risk is moving the traveling line off the synth pluck and onto feltPiano, kept in the house register, so the theme reads warm and folk-song singable rather than electronic. D dorian, 100 BPM, fully diatonic throughout. The calm bed is more arranged than the v2 control: a slow two-note inner-voice rock keeps it breathing with motion of its own, so standing still already has character. Activity L1 is the felt-piano hymn-line (loosely tracing HORIZON: it rises 1-2-3 to a crest on the fifth, brushes the dorian 6 as an open door, then comes home open) plus a soft-pluck echo. Activity L2 ADDS new material, not volume: a sustained warm-pad counter-voice harmonizing a third/sixth below the hymn AND a rolling pluck arpeggio under it — the tune filled out and harmonized. Danger L1 is first signs — a slow kick heartbeat under a darkening D/A drone; danger L2 ADDS the doubled heartbeat plus an urgent shaker-and-hat rhythm, so the weather arrives by register and density. No chromaticism: the menace is rhythm and density at the same tempo, true to the control's design.
