# Sunless Shore v3a — Glass Tide (faithful): F#-mixolydian luminous bell ambiance, the foxfire glow

`sunless-shore-v3a` — levels: `calm.mp3` · `activity1.mp3` · `activity2.mp3` · `danger1.mp3` · `danger2.mp3`

Take A is the FAITHFUL reading of the row's luminous bell ambiance: the most direct, polished realization of the §4.4 'Glass Tide' notes in F# mixolydian, 80 BPM (danger 92). A beach that has never seen the sun, glowing where the black water touches it — gentle alien beauty. It is a FOXFIRE-family recontext (§7.4): the b7 (E natural) DIMS the family's 7–8 flicker into a soft whole-tone home-lean, which is the prescribed meaning here (alien gentleness, glow that has never seen the sun). DE-LITERALIZED TIDE (style + correction 3): the design note's 'bells flickering at the waterLap's rhythm' is rendered entirely as PITCHED GLASS — there is NO waterLap/surf/wash patch anywhere. The glow's only trace of the tide is a gentle long-short rocking PLACEMENT of glassBell glints (the glow writing and erasing itself along the tide-line); the §4.4 'bioluminescent bloom — shimmer drones' Depth note is folded PITCHED into a soft high pad facet, never a noise/air bed. The bed (calm, ch0-3) is warm pad + that high pad bloom over a once-per-two-bars sub, with the plankton-glow flicker — complete standing-still music. Activity L1 (ch4-5) is the luminous melody: a glassBell FOXFIRE statement from F#-4 DOUBLED an octave below by a warm struckPiano (correction 1: struck, tone WARM — the glow given a gentle body, not glittery-hard; that brightness stays in the bells). Activity L2 (ch6-7) ADDS new material, not volume: a caveCelesta glint trail answering at the fifth a bar later (the glow echoing down the shore) AND a soft pad counter-voice with a sparse mid celesta arp — the tide-line written out fully. Danger is ENCOUNTER music, abstract (correction 2): danger1 (ch8-9) is the activity glow gone apprehensive — the glint rhythm SHORTENED into an uneasy quickening (the authored accelerando beginning) over a low sub pulse waking beneath the floor (real material, the room starting to fill). danger2 (ch10-11) is a GENUINE intensity jump at the faster 92 BPM tempo: the accelerando complete — a DRIVING low kick + deepBoom heartbeat and a running glassy crack-tick pulse, the glints a dense rising tide of light. New rhythmic material + far more density + faster tempo, never danger1 louder. The threat is 'the room filling' read abstractly as rising density and a low pulse — NOT a water/flood foley (the surf was this beach's old identity; it is gone). Noise appears only as struck percussion (kick, crack ticks) in the danger ladder. Fully diatonic F# mixolydian throughout — the b7 (E) is the mode's own colour, not chromaticism.
