# Desert Noon v3a — bone-dry A-pentatonic stillness (faithful)

`desert-noon-v3a` — levels: `calm.mp3` · `activity1.mp3` · `activity2.mp3` · `danger1.mp3` · `danger2.mp3`

FAITHFUL take of the row's style: sparse pentatonic ambiance, dryClick woody ticks, A minor pentatonic at 60 BPM (66 in danger), sparse=true. Vast/empty/desolate-not-dreadful — the desert doesn't hate you, it just doesn't know you're there. Fully diatonic A minor pentatonic (A C D E G); the pentatonic SNAP (no third in the pads, no leading tone) is what hollows the air — desolation is space/register/repetition, never harmonic dread, and there is zero chromaticism. The `tread` motif (§7.5): fragment the head, restate it octaveShift(+1), long rests between, the snap hollowing the 2 — a half-remembered tune keeping you company. CALM (ch0-3) = the bed alone: one hollow pad tone per bar, sub on alternate bars, and the darkDrone sun-hum shaped into bloom/release arcs (warmth of heat, always moving + letting go — never a held drone bed). ACTIVITY L1 (ch4-5) = the unhurried soft-pluck TREAD line + its sparse, occasionally octave-lifted echo (the tune walking away). ACTIVITY L2 (ch6-7) ADDS NEW pitched material, not volume: a low counter pluck-line a fifth/octave below (a second set of footsteps, ch6) AND a high shimmer pad voice blooming mid-bar then letting go (ch7) — this is the RETIRED white-noise sun-glare 'Depth' bed re-imagined PITCHED (the 45 C heat-shimmer rendered as a glinting pad, never a hiss). DANGER is ENCOUNTER music at a quicker exposure tempo (66): danger1 (ch8-9) is real unease — a slow dry heat-pulse (kick) under the bed with a few dryClick woody ticks wheeling overhead like a circling speck (NOT near-silence); danger2 (ch10-11) is a genuine intensity JUMP — the heat-pulse doubles (offbeat kicks) and the dry clicks bloom into a quickening run that tightens toward each bar end (heat pressing as RHYTHM, the exposure clock speeding up). It is new rhythmic material at higher density, never danger1 with the fader up. NO glare-noise bed; noise appears ONLY as the struck one-shot dryClick percussion. No piano in this row's palette, so the lead is a soft pluck (struckPiano not used).
