# Caves Lantern v3a — Lanternlight (faithful: warm companionable house)

`caves-lantern-v3a` — levels: `calm.mp3` · `activity1.mp3` · `activity2.mp3` · `danger1.mp3` · `danger2.mp3`

Take A is the FAITHFUL realization of the corpus row: warm companionable HOUSE — a warm pad glow + a soft sub lub-dub heartbeat + a curious rising caveCelesta melody with ONE soft-pluck echo (intimacy, not vastness). G major, 84 BPM for calm/activity. Motif: HEARTH (the Ember Round), stated on celesta from G-4 — the hearth you carry. Calm (ch0-3) is the lantern set down: pad glow over the heartbeat with occasional celesta ore-glints, complete companionable standing-still music. Activity L1 (ch4-5) is the HEARTH round + a curious rising line and its single soft-pluck echo — the row's whole 'color' idea on its own over the bed. Activity L2 (ch6-7) ADDS NEW MATERIAL, not volume: a warm struckPiano (tone 'warm' — the re-spin's piano fix, never the old plucked feltPiano; warm suits this intimate, mellow hearth) comping the DORIAN COLOR the row names (an Em / F-natural lean against the bright G bed, staying inside the mode — no chromaticism) PLUS a low rolling soft-pluck arpeggio. So L2 = a second instrument + a rhythm under the celesta, the companionable room filling out — not the celesta turned up. Danger is ENCOUNTER music, abstract not foley. Danger L1 (ch8-9) is the approach / real unease (NOT near-silence): the cozy tune gone apprehensive — a slow kick heartbeat under a darkening low drone with one far boom per bar, the mountain noticing you. Danger L2 (ch10-11) is a GENUINE intensity jump for active fight/flee: the full ensemble crashes in over a faster danger-section tempo (92 BPM) — a driving frame-drum + kick groove, a stone-tom backbeat, hat-tick motion and closing booms. New rhythmic instruments (the kit) and higher density, NOT danger1 louder. The cave-in reads as energy/register/density, never a debris-hiss or cave-air noise bed (the retired §4 'Depth' bed is dropped; its dark-beyond-the-lantern intent lives as the danger drone's low pedal). Diatonic G throughout; the only color is the deliberate, named dorian lean in the L2 comp.
